May, 2008. In University College, London, in an anechoic chamber designed to smother even the faintest noise, the artist Douglas Murphy sits next to a plateful of dessert jelly and coaxes it into motion. The jelly quivers, and the sound of this quivering floats alone in the still air. There is nothing to drown out … Continue reading Good Vibrations: On Jelly’s Wobbly Aesthetics